Rather than using the Mimi and Nikko sex tape as a teachable moment about privacy, permanence and the longevity of Internet decisions, Harvey can't resist transforming that moment into a diatribe about shame and God's plan for women's bodies.
The baiting and the assault on Obama will get even uglier. But it won't change one hard fact: that when it comes to race baiting, the GOP will always have the market cornered on that -- and millions know it.
We're coming up on one of my favorite times of the year: that time, just after spring breaks out but before summer begins, in which thousands of college graduates are released into the world. And as they go forth we give them lots of advice. The advice varies, sometimes conflicts, but the general idea is: Here is what you need to know in order to succeed in the world. This year my book tour is taking me to a lot of colleges, and my first piece of advice is to start by defining success for yourself -- by being clear about what you want, what you value and what you are about. But to do that, we need to abandon, or at least mitigate, some of the worst practices of the adult world that students are already mired in: burnout, sleep deprivation, stress and anxiety. This is all the more important because this generation is starting out their adult lives burdened with multiple deficits.
Last week, I could only watch on television news as soldiers herded scores of my countrymen on to trucks like livestock, to be driven to detention centers. Women carrying babies struggled to climb onto the cumbersome vehicles, built not for carrying humans but cargo and commodities.
There's a tendency among my friends and others who see me in my element to refer to me as a "tranny," one of the words that have recently been banished from the gay lexicon. Personally, I've always regarded being called a "tranny" not as a slur but as a term of endearment.
It's finally time that we have that long awaited talk about measuring black success. For far too long we have given many a pass when it comes to what they say and how they go about navigating what it means to achieve for the community.
Like many military members who survive a sexual assault, the process of reporting the rape and seeking some justice was a long, despairing and ultimately fruitless effort.
This week I talked with Scott Campbell, Executive Director of the Elton John AIDS Foundation, which has been identified by Funders for LGBTQ Issues as the largest funder of programs for black LGBTQ individuals.
In the business of higher education, we must educate students for jobs that may not yet exist to solve problems not yet known.
I love Easter! Spring has finally sprung, with sweet smells in the air, and sweet treats for us to savor. Here are my latest favorite things.
Saving up your hard-earned cash to stash away an emergency fund? Well, it can be a hard sell. Spare cash can be hard to come by, and, after all, taking a vacation is a heck of a lot more fun. Or at least a lot of us seem to think so.
These days when Selena Blake thinks about her native land, Jamaica, there are no images of pristine beaches and sunny skies that come to mind. Instead, she sees the ugly face of homophobia and transphobia that continues to stain Jamaica's image.
With the costs of basic necessities rising and wages stagnating, minimizing unnecessary and wasteful spending is more important than ever.
The media just love anniversaries. But I'm wondering how many mass media outlets will pick up on a confluence of two such commemorations this coming week -- a 50th and a 20th -- which mark separate major events in the long life of a recently departed global giant.
If I could speak to the person who killed Angela, I would tell them that I don't have the words to say just how sad I am. I would say, "Look what has happened to us."
Black Voices continues to celebrate Black Music Month by recognizing seven CDs in the gospel genre by African American artists. These spiritual gems are some of the most overlooked works in gospel music, but BV Blogger Jawn Murray chose them as the seven projects every music lover must have!
Kim Burrell's 'Everlasting Life' (Tommy Boy/1998): Like Van Gough and Picasso, Kim Burrell's 'Everlasting Life' is considered by most musicians and singers as a priceless piece of art. Burrell was able to take her jazz-fused, raspy alto -- and all its acrobatics -- and sing an assortment of songs in a genre-blurring style. Cleverly not allowing the intricate vocal arrangements to be overshadowed, Burrell weaves in and out of energetic numbers such as 'I'll Keep Holding On' and mid-tempo grooves like 'Over and Over, Again.' Burrell's jazz appreciation is on display as she sings about God's goodness on 'I Found Him' and 'Lift Jesus.' She also mesmerizes on ballads like 'Prodigal Son,' 'Oh Lord' and 'Holy Ghost,' where her voice and the complex vocal choices she often makes captivates listeners. A classic!
JJ Hairston & Youthful Praise – 'Live: The Praise...The Worship' (Light Records/2005): There has been a separation of the soulful Sunday-morning sounds of the black church and the new-age Praise & Worship movement. On 'Live: The Praise...The Worship,' JJ Hairston & Youthful Praise finally capture the best of both worlds and find a musical balance that is not only affective, but also births songs that will be anthems for years to come. The CD kicks off like a worship service, and the energetic 'You Are So Awesome' sets the tone for what's to come. 'Incredible God,' the CD's breakout hit, is a celebratory ballad that speaks to God's goodness. The Connecticut-based choir gets contemporary, with help from Jonathan Nelson on 'Shift This Place,' while his brother Jason Nelson's matchless tenor shines on 'Oh Holy Lamb.' 'Live: The Praise...The Worship' is a call-and-response CD with material that listeners can sing along to and invoke the spirit of Sunday morning into their personal space. One of the best choir records released in the last five years!
Coko's 'Grateful' (Light Records/2006): As one of the music's most underrated voices, Cheryl Clemons, professionally known as Coko, shines in her solo gospel debut. The SWV front woman, best known for belting R&B hits like 'Weak,' 'Anything' and 'Rain,' sings sacred songs on 'Grateful,' a Grammy-nominated collection of great gospel material. Likely the best gospel recording by an R&B singer since Aretha Franklin's 'Amazing Grace,' Coko delivers better than she ever has on this ambitious studio record. She's impressive on the remake of the Tramaine Hawkins' classic 'Look at Me,' and cleverly tackles The Clark Sisters' 'Endow Me' with the help of fellow R&B stars Faith Evans, Fantasia and Lil' Mo. Coko's soprano soars on the powerful 'Hymn Medley,' while her enchanting tone is showcased on the Donald Lawrence-produced 'Holy.' Whether you're stomping your feet to 'Clap Your Hands' or bobbing your head to the R&B-friendly title track; this CD features a variety of offerings and all of them are good! A must-have.
VaShawn Mitchell's 'Promises' (Tyscot/2007): While many of his peers are recording material with mainstream urban influence, VaShawn Mitchell writes and sings songs that are meant to be sung in church. On 'Promises,' Mitchell captures every aspect of an individual's personal relationship with God, from giving him an energetic 'Crazy Praise' to the declaration ballad 'I'll Just Lift My Hands.' The emotional 'I Worship You' tells a story of God's omnipotence, while on 'Passed Over Me,' Mitchell chants about how God's mercy kept him out of harm's way. Kim Burrell guests on 'Over and Over,' while Angela Spivey takes 'Testimony' to a whole other level. And if the praise party feel of 'For My Good' isn't enough for you, Mitchell gives you a good Holy Ghost experience with his 'Chicago Bump' as well.
Lexi's 'A Praise in the Valley' (Holy Music/2005): After years of recording R&B-friendly contemporary gospel CDs, Lexi found her niche with 'A Praise in the Valley,' a solid live recording of both Praise & Worship and Sunday morning-suited material. On the disc, Lexi brings forth the complete church experience and songs such as 'I've Been Redeemed,' 'He Got Up' and 'Testify, Lexi offers songs that listeners can sing along to. The contemporary Christian ballad – that's what they call White gospel – 'My Heart Belongs to You' featuring Nicole Binion is one of the highlights of the CD. The dynamic Kim Burrell guests on 'Not Until,' and Lexi gets help from William "Praise is What I Do" Murphy on 'Wherever the Lord Is.' Though Lexi is likely best known for being a TV personality and host, just one listen to 'Praise in the Valley' and there will be no doubt that she's a singer first!
Ann Nesby's 'In the Spirit' (Shanachie/2006): Former Sounds of Blackness singer Ann Nesby captures old-school church on 'In the Spirit.' Whether you're young or old, her interpretation of these classic gospel hits will have you clapping your hands and singing along. From Albertina Walker's 'God In Prayer' to the Thompson Community Singers' 'Rise Up and Walk,' Nesby puts her soulful stamp on traditional gospel songs in a way that channels a storefront church revival. Cleverly, Nesby delivers a devotional version of Stevie Wonder's 'Heaven is Ten Zillion Light Years Away' and even offers a funky version of Bill Withers' 'Grandma's Hands.' Whether she is singing Donald Lawrence's 'If I Can't Say a Word' or public domain hymns like 'Oh How I Love Jesus,' one really feels 'In the Spirit' on this musical journey with Nesby.
Deitrick Haddon's 'Crossroads' (Verity/2004): Deitrick Haddon is constantly reinventing himself, and usually his innovative approach to music is a little before its time. On his opus 'Crossroads,' Haddon pairs the musicianship of soul icons like Stevie Wonder and pop idols like Michael Jackson with good ole gospel numbers. The energetic 'God is Good' is a Praise & Worship and Dance Ministry favorite, while the Detroit-bred singer channels the King of Pop on 'U.N.I.T.Y.' Haddon croons like the best R&B balladeers on tracks like 'What Love,' 'Won't Stop Praying' and 'God Didn't Give Up,' while taking a more traditional gospel approach to the churchified 'Prayer Changes Things' and 'Had Not Been,' which features one of his musical mentors, Rance Allen. Overall, 'Crossroads' embodies its album's title, an immaculate blend of both mainstream music and traditional gospel both merged together by Haddon's heavenly tenor.
Check out Jawn Murray's other Black Music Month's picks: