In the basement of St. Louis' Saint John's United Church of Christ at the end of the Labor Day weekend, Yates recounted almost a month's worth of harrowing encounters with a militarized police force to a room of Black Lives Matter freedom riders. She woefully explained that as the days bled into one another, she began "marking days by police tactics."
These are women with family-friendly brands. They have made their livings online by being noncontroversial and avoiding the icky parts of life -- the icky parts that I love to dive into head first. But there they were, chiming in and telling me of their own fears and worry, thus mitigating my own ache.
On the one hand, many would argue that with the first black president in office, it is Martin's dream that has been realized. Yet, on the other hand, with endless wars abroad, increasing police brutality at home, and a society more divided than ever, it is safe to say that Malcolm's critique of -- and challenge to -- America has never been more urgent.
The beautiful 18-year old Disney starlet Zendaya looked absolutely ravishing at the Acadamy Awards in her satin ivory Vivienne Westwood gown and her elegant dreadlocked hairstyle. But Giuliana Rancic of E! Fashion Police did not agree.
Though it has a shorter legacy than the U.S.' month set aside to honor the achievements of people from the African Diaspora, those in the U.K. also use various mediums to educate the public on the African-Caribbean community.
I was truly disappointed to see that a woman could go out of her way to say something so ignorant about another woman. I would hope that a woman who has been given a platform where she can speak her mind would want to use that platform to empower women not tear them down.
As we end Black History Month, let's celebrate our accomplishments and add to that list an 18-year-old girl who had the confidence and courage to address insensitive, stereotypical remark of ignorance head on.
if black children were reminded, for more than 28 days, that kids like them grew up and achieved their goals in the face of adversity and discrimination, these children would experience the same encouragement any white child feels when looking at the histories of their studies.
In the midst of these projected possibilities, one thing is certain: the power of Hip Hop is immense and unwavering. But, how the art form is used from this point forward will determine the type of power we truly want to have.
There is no evidence that the FBI, other intelligence agencies, or the NYPD had a direct hand in Malcolm's murder. But it can't be totally separated from the well-documented, savage war that the FBI waged against black organizations and black leaders, including Martin Luther King Jr., during the 1960s.
Martin was more than just another young black male gunned down in an act of senseless violence. He became and will remain a challenge to the nation to do something about that violence.
In late 1975, 19-year-old Ricky Jackson was sentenced to die by electrocution. Almost 40 years later, his conviction was overturned, and he walked out the front door of the Cuyahoga County courthouse a free man.
The demands for justice in Ferguson, coupled with the recent speeches by New York City Police Commissioner William Bratton and FBI Director James Comey, are indeed reasons to keep hope alive!
It is a reminder that women of power come in all shades of greatness and beauty. It gives us the opportunity to show generations of girls that there is a power within each and every one of us that when used for good can impact humanity for the greater good.
Soon February will do double duty as Black History and Historical Accuracy Month. The snow brings with it flurries of concern about Brian Williams, American Sniper, and whether Selma got it right or wrong about President Lyndon Johnson.
Studies released by Urban Institute in July 2014 showed that 35 percent of Americans -- roughly one out of three -- are so behind in their finances that they have debt in collections. Many people become overwhelmed by their debts, but they don't have to be.
I was first inspired to advocate for women and children when I saw my neighbor's daughter die during her first delivery in the hospital, simply because there was no midwife on duty. The unacceptably high rate of maternal mortality in my community keeps me motivated..
It is astounding to stop and think of how young the U.S. really is and what that means for art coming from the American context.
Black Voices continues to celebrate Black Music Month by recognizing seven CDs in the gospel genre by African American artists. These spiritual gems are some of the most overlooked works in gospel music, but BV Blogger Jawn Murray chose them as the seven projects every music lover must have!
Kim Burrell's 'Everlasting Life' (Tommy Boy/1998): Like Van Gough and Picasso, Kim Burrell's 'Everlasting Life' is considered by most musicians and singers as a priceless piece of art. Burrell was able to take her jazz-fused, raspy alto -- and all its acrobatics -- and sing an assortment of songs in a genre-blurring style. Cleverly not allowing the intricate vocal arrangements to be overshadowed, Burrell weaves in and out of energetic numbers such as 'I'll Keep Holding On' and mid-tempo grooves like 'Over and Over, Again.' Burrell's jazz appreciation is on display as she sings about God's goodness on 'I Found Him' and 'Lift Jesus.' She also mesmerizes on ballads like 'Prodigal Son,' 'Oh Lord' and 'Holy Ghost,' where her voice and the complex vocal choices she often makes captivates listeners. A classic!
JJ Hairston & Youthful Praise – 'Live: The Praise...The Worship' (Light Records/2005): There has been a separation of the soulful Sunday-morning sounds of the black church and the new-age Praise & Worship movement. On 'Live: The Praise...The Worship,' JJ Hairston & Youthful Praise finally capture the best of both worlds and find a musical balance that is not only affective, but also births songs that will be anthems for years to come. The CD kicks off like a worship service, and the energetic 'You Are So Awesome' sets the tone for what's to come. 'Incredible God,' the CD's breakout hit, is a celebratory ballad that speaks to God's goodness. The Connecticut-based choir gets contemporary, with help from Jonathan Nelson on 'Shift This Place,' while his brother Jason Nelson's matchless tenor shines on 'Oh Holy Lamb.' 'Live: The Praise...The Worship' is a call-and-response CD with material that listeners can sing along to and invoke the spirit of Sunday morning into their personal space. One of the best choir records released in the last five years!
Coko's 'Grateful' (Light Records/2006): As one of the music's most underrated voices, Cheryl Clemons, professionally known as Coko, shines in her solo gospel debut. The SWV front woman, best known for belting R&B hits like 'Weak,' 'Anything' and 'Rain,' sings sacred songs on 'Grateful,' a Grammy-nominated collection of great gospel material. Likely the best gospel recording by an R&B singer since Aretha Franklin's 'Amazing Grace,' Coko delivers better than she ever has on this ambitious studio record. She's impressive on the remake of the Tramaine Hawkins' classic 'Look at Me,' and cleverly tackles The Clark Sisters' 'Endow Me' with the help of fellow R&B stars Faith Evans, Fantasia and Lil' Mo. Coko's soprano soars on the powerful 'Hymn Medley,' while her enchanting tone is showcased on the Donald Lawrence-produced 'Holy.' Whether you're stomping your feet to 'Clap Your Hands' or bobbing your head to the R&B-friendly title track; this CD features a variety of offerings and all of them are good! A must-have.
VaShawn Mitchell's 'Promises' (Tyscot/2007): While many of his peers are recording material with mainstream urban influence, VaShawn Mitchell writes and sings songs that are meant to be sung in church. On 'Promises,' Mitchell captures every aspect of an individual's personal relationship with God, from giving him an energetic 'Crazy Praise' to the declaration ballad 'I'll Just Lift My Hands.' The emotional 'I Worship You' tells a story of God's omnipotence, while on 'Passed Over Me,' Mitchell chants about how God's mercy kept him out of harm's way. Kim Burrell guests on 'Over and Over,' while Angela Spivey takes 'Testimony' to a whole other level. And if the praise party feel of 'For My Good' isn't enough for you, Mitchell gives you a good Holy Ghost experience with his 'Chicago Bump' as well.
Lexi's 'A Praise in the Valley' (Holy Music/2005): After years of recording R&B-friendly contemporary gospel CDs, Lexi found her niche with 'A Praise in the Valley,' a solid live recording of both Praise & Worship and Sunday morning-suited material. On the disc, Lexi brings forth the complete church experience and songs such as 'I've Been Redeemed,' 'He Got Up' and 'Testify, Lexi offers songs that listeners can sing along to. The contemporary Christian ballad – that's what they call White gospel – 'My Heart Belongs to You' featuring Nicole Binion is one of the highlights of the CD. The dynamic Kim Burrell guests on 'Not Until,' and Lexi gets help from William "Praise is What I Do" Murphy on 'Wherever the Lord Is.' Though Lexi is likely best known for being a TV personality and host, just one listen to 'Praise in the Valley' and there will be no doubt that she's a singer first!
Ann Nesby's 'In the Spirit' (Shanachie/2006): Former Sounds of Blackness singer Ann Nesby captures old-school church on 'In the Spirit.' Whether you're young or old, her interpretation of these classic gospel hits will have you clapping your hands and singing along. From Albertina Walker's 'God In Prayer' to the Thompson Community Singers' 'Rise Up and Walk,' Nesby puts her soulful stamp on traditional gospel songs in a way that channels a storefront church revival. Cleverly, Nesby delivers a devotional version of Stevie Wonder's 'Heaven is Ten Zillion Light Years Away' and even offers a funky version of Bill Withers' 'Grandma's Hands.' Whether she is singing Donald Lawrence's 'If I Can't Say a Word' or public domain hymns like 'Oh How I Love Jesus,' one really feels 'In the Spirit' on this musical journey with Nesby.
Deitrick Haddon's 'Crossroads' (Verity/2004): Deitrick Haddon is constantly reinventing himself, and usually his innovative approach to music is a little before its time. On his opus 'Crossroads,' Haddon pairs the musicianship of soul icons like Stevie Wonder and pop idols like Michael Jackson with good ole gospel numbers. The energetic 'God is Good' is a Praise & Worship and Dance Ministry favorite, while the Detroit-bred singer channels the King of Pop on 'U.N.I.T.Y.' Haddon croons like the best R&B balladeers on tracks like 'What Love,' 'Won't Stop Praying' and 'God Didn't Give Up,' while taking a more traditional gospel approach to the churchified 'Prayer Changes Things' and 'Had Not Been,' which features one of his musical mentors, Rance Allen. Overall, 'Crossroads' embodies its album's title, an immaculate blend of both mainstream music and traditional gospel both merged together by Haddon's heavenly tenor.
Check out Jawn Murray's other Black Music Month's picks: