You could argue that the woman on the recording didn't really set up the man on the recording; instead, she let events play out in a way that seemed quite characteristic for the Clippers owner.
I love what Hollywood could be, but I must say that I don't love what it is. I can't accept that while my daily life is filled with black and brown women, they are completely absent, erased, when I look at a TV or movie screen.
Kentucky GOP Senator Rand Paul is far and away the only 2016 GOP prospective presidential candidate who has made even a smidgen of an effort to crack the GOP's toughest of tough sales, and that's to woo black voters.
Pop culture visibility matters, and Misee Harris deserves to be part of it.
Ultimately, the jurors will be the judges of the facts and what is reasonable. However, where race and gender clash, the black woman usually ends up on the short end of the deal.
Very soon the Federal Communications Commission will either empower minority voices on the Internet and help close the digital divide, or it will make it easier for communications giants to silence and exclude those communities from the free or low-priced content now on the web.
The historic participation of blacks and other minorities helped elect the first black president of the United States. But while we greatly exercised our right to vote in 2008, many failed to do the same two years later during the 2010 midterms. What we got were a slew of politicians who are more concerned with their own self-aggrandizement than with serving people.
We now live in a time in which Beyonce has made "bootylicious" a compliment, Jennifer Lopez is twerking, Meghan Trainor claims to be "bringing booty back," and Kim Kardashian is called hot for her selfies. However, the entertainment industry is still struggling to accept women's beauty in different sizes.
We made a decision as a couple that for us to thrive as a family we had to learn how to embrace change. We never complained to our children about daddy's dialysis treatments and schedule because we chose to embrace it.
As we mark the 60th anniversary of Brown v. Board of Education, we are glad to see renewed interest in the issue of segregation, but discouraged about our societal failure to tackle it.
No matter how well you're managing your money now, you need to also be thinking about retirement. (Yes, even if you're only 25 or 30.) The good news is it's never too early to start planning for your retirement. It's also never too late, if you've been slacking up to this point.
Infallible youth and the power of "bar cute" have evolved into vulnerability, conditional surrender, and the wisdom of age. Nothing compares with the vibrant visual symphony of the colorful leaves of fall. The summer sun is exquisite, but equally magical is winter's first snow.
There is little reason to believe that the widely held claim that black and Latino students enter selective universities as comparatively inferior students will not cease to rear its ugly head. It is a pervasive stereotype that minority students must face from matriculation to graduation.
My week started out on Sunday with a hundred mile drive from Monterey, California to San Francisco to participate in the AIDS Walk.
Have you been paying attention to the news lately? If so, I'm sure some of it has depressed you. Just as history has made us believe that the human race has made progress, reality will tell you the awful truth that we have not come that far at all.
The United States is the only developed country in which maternal deaths are rising. We can do better. We must do better. The lives of our mothers and children are depending on it.
President Obama can -- and must -- fix the policy of turning women away in the extreme cases of life-endangering pregnancies or those resulting from rape. Until Congress does the right thing and overturns the harmful law in its entirety, he can take a first step to ensure that U.S. programs are part of the solution, not the problem.
Policymakers across the country need to understand the regressive and unjust nature of net metering policies and take steps to fix it. Black, brown or white, we can all be better stewards of our environment but let's be sure to have equitable policies that allow all communities to benefit on the same terms.
Black Voices continues to celebrate Black Music Month by recognizing seven CDs in the gospel genre by African American artists. These spiritual gems are some of the most overlooked works in gospel music, but BV Blogger Jawn Murray chose them as the seven projects every music lover must have!
Kim Burrell's 'Everlasting Life' (Tommy Boy/1998): Like Van Gough and Picasso, Kim Burrell's 'Everlasting Life' is considered by most musicians and singers as a priceless piece of art. Burrell was able to take her jazz-fused, raspy alto -- and all its acrobatics -- and sing an assortment of songs in a genre-blurring style. Cleverly not allowing the intricate vocal arrangements to be overshadowed, Burrell weaves in and out of energetic numbers such as 'I'll Keep Holding On' and mid-tempo grooves like 'Over and Over, Again.' Burrell's jazz appreciation is on display as she sings about God's goodness on 'I Found Him' and 'Lift Jesus.' She also mesmerizes on ballads like 'Prodigal Son,' 'Oh Lord' and 'Holy Ghost,' where her voice and the complex vocal choices she often makes captivates listeners. A classic!
JJ Hairston & Youthful Praise – 'Live: The Praise...The Worship' (Light Records/2005): There has been a separation of the soulful Sunday-morning sounds of the black church and the new-age Praise & Worship movement. On 'Live: The Praise...The Worship,' JJ Hairston & Youthful Praise finally capture the best of both worlds and find a musical balance that is not only affective, but also births songs that will be anthems for years to come. The CD kicks off like a worship service, and the energetic 'You Are So Awesome' sets the tone for what's to come. 'Incredible God,' the CD's breakout hit, is a celebratory ballad that speaks to God's goodness. The Connecticut-based choir gets contemporary, with help from Jonathan Nelson on 'Shift This Place,' while his brother Jason Nelson's matchless tenor shines on 'Oh Holy Lamb.' 'Live: The Praise...The Worship' is a call-and-response CD with material that listeners can sing along to and invoke the spirit of Sunday morning into their personal space. One of the best choir records released in the last five years!
Coko's 'Grateful' (Light Records/2006): As one of the music's most underrated voices, Cheryl Clemons, professionally known as Coko, shines in her solo gospel debut. The SWV front woman, best known for belting R&B hits like 'Weak,' 'Anything' and 'Rain,' sings sacred songs on 'Grateful,' a Grammy-nominated collection of great gospel material. Likely the best gospel recording by an R&B singer since Aretha Franklin's 'Amazing Grace,' Coko delivers better than she ever has on this ambitious studio record. She's impressive on the remake of the Tramaine Hawkins' classic 'Look at Me,' and cleverly tackles The Clark Sisters' 'Endow Me' with the help of fellow R&B stars Faith Evans, Fantasia and Lil' Mo. Coko's soprano soars on the powerful 'Hymn Medley,' while her enchanting tone is showcased on the Donald Lawrence-produced 'Holy.' Whether you're stomping your feet to 'Clap Your Hands' or bobbing your head to the R&B-friendly title track; this CD features a variety of offerings and all of them are good! A must-have.
VaShawn Mitchell's 'Promises' (Tyscot/2007): While many of his peers are recording material with mainstream urban influence, VaShawn Mitchell writes and sings songs that are meant to be sung in church. On 'Promises,' Mitchell captures every aspect of an individual's personal relationship with God, from giving him an energetic 'Crazy Praise' to the declaration ballad 'I'll Just Lift My Hands.' The emotional 'I Worship You' tells a story of God's omnipotence, while on 'Passed Over Me,' Mitchell chants about how God's mercy kept him out of harm's way. Kim Burrell guests on 'Over and Over,' while Angela Spivey takes 'Testimony' to a whole other level. And if the praise party feel of 'For My Good' isn't enough for you, Mitchell gives you a good Holy Ghost experience with his 'Chicago Bump' as well.
Lexi's 'A Praise in the Valley' (Holy Music/2005): After years of recording R&B-friendly contemporary gospel CDs, Lexi found her niche with 'A Praise in the Valley,' a solid live recording of both Praise & Worship and Sunday morning-suited material. On the disc, Lexi brings forth the complete church experience and songs such as 'I've Been Redeemed,' 'He Got Up' and 'Testify, Lexi offers songs that listeners can sing along to. The contemporary Christian ballad – that's what they call White gospel – 'My Heart Belongs to You' featuring Nicole Binion is one of the highlights of the CD. The dynamic Kim Burrell guests on 'Not Until,' and Lexi gets help from William "Praise is What I Do" Murphy on 'Wherever the Lord Is.' Though Lexi is likely best known for being a TV personality and host, just one listen to 'Praise in the Valley' and there will be no doubt that she's a singer first!
Ann Nesby's 'In the Spirit' (Shanachie/2006): Former Sounds of Blackness singer Ann Nesby captures old-school church on 'In the Spirit.' Whether you're young or old, her interpretation of these classic gospel hits will have you clapping your hands and singing along. From Albertina Walker's 'God In Prayer' to the Thompson Community Singers' 'Rise Up and Walk,' Nesby puts her soulful stamp on traditional gospel songs in a way that channels a storefront church revival. Cleverly, Nesby delivers a devotional version of Stevie Wonder's 'Heaven is Ten Zillion Light Years Away' and even offers a funky version of Bill Withers' 'Grandma's Hands.' Whether she is singing Donald Lawrence's 'If I Can't Say a Word' or public domain hymns like 'Oh How I Love Jesus,' one really feels 'In the Spirit' on this musical journey with Nesby.
Deitrick Haddon's 'Crossroads' (Verity/2004): Deitrick Haddon is constantly reinventing himself, and usually his innovative approach to music is a little before its time. On his opus 'Crossroads,' Haddon pairs the musicianship of soul icons like Stevie Wonder and pop idols like Michael Jackson with good ole gospel numbers. The energetic 'God is Good' is a Praise & Worship and Dance Ministry favorite, while the Detroit-bred singer channels the King of Pop on 'U.N.I.T.Y.' Haddon croons like the best R&B balladeers on tracks like 'What Love,' 'Won't Stop Praying' and 'God Didn't Give Up,' while taking a more traditional gospel approach to the churchified 'Prayer Changes Things' and 'Had Not Been,' which features one of his musical mentors, Rance Allen. Overall, 'Crossroads' embodies its album's title, an immaculate blend of both mainstream music and traditional gospel both merged together by Haddon's heavenly tenor.
Check out Jawn Murray's other Black Music Month's picks: