In my 30s, it's no longer a question of when my masterminded plans will pan out -- but whether I actually want the things I penned into my five-year plans, and if so, what I'm willing to give up to get them.
Illinois is home to a vicious cycle that prevents its black residents from reaching their full potential, and too little attention is being paid to the numbers driving it.
Dear White People is sure to become both a cult hit and a staple on college campuses across the country, and I'm glad for it since the movie ultimately ends with more questions than answers. And with an issue as multi-faceted as racism, that is as it should be.
By 50, you may already feel like you've got it figured out. You make a good salary, you've reached many of your life goals and your kids are on their way to independence. But there are still a lot of money truths left to learn, especially as you're approaching your retirement years.
I am deeply troubled by your sudden quietness in the midst of such powerful youth activism against police brutality and state violence. The killing of Mike Brown in Ferguson, Missouri, has awakened a movement, yet you are silent. Other members of the black entertainment industry have contributed in various ways, yet you are ghost.
At the Louisiana State University Law Center, the silence on race is deafening. It is deafening because race is never really off the table. Students discuss race with members of their own racial group, but they rarely have interracial conversations on race. As a result, students never learn about other people's lives or experiences -- they never become culturally competent.
School officials defend their quick resort to call in the school or city police with the claim that black students do commit more serious offenses than other students. There's nothing to support this.
The last few years have been fruitful ones for Gordon, who, with powerhouse filmmaker and playwright Rikki Beadle-Blair, has set up the critically acclaimed Team Angelica Press, a publishing firm in London dedicated to outsider artists and writers, especially LGBT voices of color.
It behooves us all to take another look at the bravery, the agony, and the hope of that very different time, and do what we can to reabsorb its lessons.
Our founders opposed using a "standing army" to patrol our streets. In fact, James Madison called this "one of the greatest mischiefs that can possibly happen." Under the "1033" program, however, America's streets are increasingly patrolled by police forces with all the trappings of an army ready for war.
For the first time in 13 years, the DOE now makes clear that states, school districts, and schools must make education resources equally available to all students without regard to race, color, or national origin. This is some of the unfinished business of the civil rights movement and a giant step forward for poor children, often children of color.
The money decisions you make today can lead to either a secure or a scary financial future. Don't be tricked into being complacent. Think ahead, plan ahead -- and avoid these 13 money mistakes that could haunt you for years to come.
The ways in which we spend have changed. We have different attitudes about debt, and even though the job market has improved, millions continue to struggle as wages have not caught up.
"Nothing in nature is straight. So that's how I design. There's no rhyme or reason. I'm planting for aesthetics. I want to be assaulted by smell, by beauty, by taste."
Because we have already called for an end to mass incarceration, but, though there has been progress, our elected local, state and especially federal officials haven't gone far enough.
The research team tested participants at an unconscious level through an implicit association test. They were able to look at the way the participants internally felt about STEM gender biases.
Many people know me for my dry sense of humor, but I'm also a serious legislator who gets results. I work hard to offer meaningful and impactful legislation that helps level the playing field for consumers, working people, the middle class and civil rights for the disenfranchised.
Black Voices continues to celebrate Black Music Month by recognizing seven CDs in the gospel genre by African American artists. These spiritual gems are some of the most overlooked works in gospel music, but BV Blogger Jawn Murray chose them as the seven projects every music lover must have!
Kim Burrell's 'Everlasting Life' (Tommy Boy/1998): Like Van Gough and Picasso, Kim Burrell's 'Everlasting Life' is considered by most musicians and singers as a priceless piece of art. Burrell was able to take her jazz-fused, raspy alto -- and all its acrobatics -- and sing an assortment of songs in a genre-blurring style. Cleverly not allowing the intricate vocal arrangements to be overshadowed, Burrell weaves in and out of energetic numbers such as 'I'll Keep Holding On' and mid-tempo grooves like 'Over and Over, Again.' Burrell's jazz appreciation is on display as she sings about God's goodness on 'I Found Him' and 'Lift Jesus.' She also mesmerizes on ballads like 'Prodigal Son,' 'Oh Lord' and 'Holy Ghost,' where her voice and the complex vocal choices she often makes captivates listeners. A classic!
JJ Hairston & Youthful Praise – 'Live: The Praise...The Worship' (Light Records/2005): There has been a separation of the soulful Sunday-morning sounds of the black church and the new-age Praise & Worship movement. On 'Live: The Praise...The Worship,' JJ Hairston & Youthful Praise finally capture the best of both worlds and find a musical balance that is not only affective, but also births songs that will be anthems for years to come. The CD kicks off like a worship service, and the energetic 'You Are So Awesome' sets the tone for what's to come. 'Incredible God,' the CD's breakout hit, is a celebratory ballad that speaks to God's goodness. The Connecticut-based choir gets contemporary, with help from Jonathan Nelson on 'Shift This Place,' while his brother Jason Nelson's matchless tenor shines on 'Oh Holy Lamb.' 'Live: The Praise...The Worship' is a call-and-response CD with material that listeners can sing along to and invoke the spirit of Sunday morning into their personal space. One of the best choir records released in the last five years!
Coko's 'Grateful' (Light Records/2006): As one of the music's most underrated voices, Cheryl Clemons, professionally known as Coko, shines in her solo gospel debut. The SWV front woman, best known for belting R&B hits like 'Weak,' 'Anything' and 'Rain,' sings sacred songs on 'Grateful,' a Grammy-nominated collection of great gospel material. Likely the best gospel recording by an R&B singer since Aretha Franklin's 'Amazing Grace,' Coko delivers better than she ever has on this ambitious studio record. She's impressive on the remake of the Tramaine Hawkins' classic 'Look at Me,' and cleverly tackles The Clark Sisters' 'Endow Me' with the help of fellow R&B stars Faith Evans, Fantasia and Lil' Mo. Coko's soprano soars on the powerful 'Hymn Medley,' while her enchanting tone is showcased on the Donald Lawrence-produced 'Holy.' Whether you're stomping your feet to 'Clap Your Hands' or bobbing your head to the R&B-friendly title track; this CD features a variety of offerings and all of them are good! A must-have.
VaShawn Mitchell's 'Promises' (Tyscot/2007): While many of his peers are recording material with mainstream urban influence, VaShawn Mitchell writes and sings songs that are meant to be sung in church. On 'Promises,' Mitchell captures every aspect of an individual's personal relationship with God, from giving him an energetic 'Crazy Praise' to the declaration ballad 'I'll Just Lift My Hands.' The emotional 'I Worship You' tells a story of God's omnipotence, while on 'Passed Over Me,' Mitchell chants about how God's mercy kept him out of harm's way. Kim Burrell guests on 'Over and Over,' while Angela Spivey takes 'Testimony' to a whole other level. And if the praise party feel of 'For My Good' isn't enough for you, Mitchell gives you a good Holy Ghost experience with his 'Chicago Bump' as well.
Lexi's 'A Praise in the Valley' (Holy Music/2005): After years of recording R&B-friendly contemporary gospel CDs, Lexi found her niche with 'A Praise in the Valley,' a solid live recording of both Praise & Worship and Sunday morning-suited material. On the disc, Lexi brings forth the complete church experience and songs such as 'I've Been Redeemed,' 'He Got Up' and 'Testify, Lexi offers songs that listeners can sing along to. The contemporary Christian ballad – that's what they call White gospel – 'My Heart Belongs to You' featuring Nicole Binion is one of the highlights of the CD. The dynamic Kim Burrell guests on 'Not Until,' and Lexi gets help from William "Praise is What I Do" Murphy on 'Wherever the Lord Is.' Though Lexi is likely best known for being a TV personality and host, just one listen to 'Praise in the Valley' and there will be no doubt that she's a singer first!
Ann Nesby's 'In the Spirit' (Shanachie/2006): Former Sounds of Blackness singer Ann Nesby captures old-school church on 'In the Spirit.' Whether you're young or old, her interpretation of these classic gospel hits will have you clapping your hands and singing along. From Albertina Walker's 'God In Prayer' to the Thompson Community Singers' 'Rise Up and Walk,' Nesby puts her soulful stamp on traditional gospel songs in a way that channels a storefront church revival. Cleverly, Nesby delivers a devotional version of Stevie Wonder's 'Heaven is Ten Zillion Light Years Away' and even offers a funky version of Bill Withers' 'Grandma's Hands.' Whether she is singing Donald Lawrence's 'If I Can't Say a Word' or public domain hymns like 'Oh How I Love Jesus,' one really feels 'In the Spirit' on this musical journey with Nesby.
Deitrick Haddon's 'Crossroads' (Verity/2004): Deitrick Haddon is constantly reinventing himself, and usually his innovative approach to music is a little before its time. On his opus 'Crossroads,' Haddon pairs the musicianship of soul icons like Stevie Wonder and pop idols like Michael Jackson with good ole gospel numbers. The energetic 'God is Good' is a Praise & Worship and Dance Ministry favorite, while the Detroit-bred singer channels the King of Pop on 'U.N.I.T.Y.' Haddon croons like the best R&B balladeers on tracks like 'What Love,' 'Won't Stop Praying' and 'God Didn't Give Up,' while taking a more traditional gospel approach to the churchified 'Prayer Changes Things' and 'Had Not Been,' which features one of his musical mentors, Rance Allen. Overall, 'Crossroads' embodies its album's title, an immaculate blend of both mainstream music and traditional gospel both merged together by Haddon's heavenly tenor.
Check out Jawn Murray's other Black Music Month's picks: