Much of Baltimore will be waiting for the outcome while holding their collective breath---not wanting a repeat of the April riots. And yet, legal decisions cannot rest on what might happen in the City of Baltimore.
The thought of an after-five networking mixer exhausts me. It’s not that I don’t like meeting new people. It’s not that I’m an anti-social hermit....
Be aware of your privilege as a man and don't use it to be a coward or a sucker by saying and doing things to take advantage. Be understanding, LISTEN to others. In every interaction, be humble and gentle and sincere.
Copeland's story has played out in the rarefied field of tutus and pointe shoes, but the lessons about sponsorship are crucial for anyone who wants to succeed in their chosen career. Furthermore, as Copeland has shown, they're especially important for black women who aspire to leadership positions in the corporate world.
An homage to a love triangle about white colonialists is going to present some, uh, challenges to an artist who just wants to make a three-minute music video to put on her VEVO page -- and Taylor Swift found that out the hard way. The singer debuted her vid for "Wildest Dreams" at the VMAs Sunday night, and even the most casual observer would have noticed that -- for a clip that's set in Africa -- it's about as white as a Sunday morning farmer's market.
Ten years have passed since the devastation of Hurricane Katrina, and as we commemorate that fateful August day and its aftermath, we should also remember to celebrate one of the most remarkable stories of New Orleans' recovery--its students.
America is "treating" mental illness through incarceration -- and the price we are paying as a country is enormous.
Bush and Trump's refusal to apologize for this racist-baiting is reprehensible. Placing children at the center of political debate and focusing on babies as emblematic of repugnant groups is dangerous, particularly when we live in a country where we recognize children as society's future.
Officer safety must, be of paramount importance to those who fight for police reform. Positive police-community relations, dialogue and engagement is a two way street. If there's the sense that one side doesn't give a hoot about officer's safety and lives, then the well will be hopelessly poisoned.
Not suave? Has this stooge ever seen Elba? Like, ever in life? Like, even on his worst day? If he hasn't, that's the only plausible explanation for his ridiculous remarks about the actor who first stole our collective heart as Stringer Bell, clingy-sweater-rocking drug kingpin on The Wire.
We've seen the perfect storm of race, poverty, and mental disability. What does America do with her sickest, poorest and most marginalized? The largest populations in our jails and prisons are people with disabilities, people of color and people living in poverty.
Are my examples of this style diverse? Fashion and beauty media, this one is for you. Cornrows, box braids, bantu knots, saris, dashikis and everything else that is outside of white American culture aren't new or fresh simply because you finally recognized its existence.
JOHANNESBURG -- Recent violence against immigrants threatens to upset South Africa's international image as a success story. A new apartheid is now being enforced -- one in which foreign nationals instead of black South Africans are treated as second-class citizens.
Perhaps black people will focus exclusively on eradicating black-on-black crime when white people focus exclusively on eradicating white supremacy. Until then, black folks will continue to focus on both issues, and make changing the policies and practices that contribute to crime in the black community a priority.
He wore purple and gold like the Minnesota Vikings, MPLS emblazoned across his zip-down jacket. His Afro was back to its 1979 For You fullness. He was laid-back, full of conversation and, as usual, averse to being officially recorded for this exclusive EBONY.com interview.
Despite the various narratives of progress, black and brown kids across our city--almost regardless of school, age, neighborhood, or income--are punished, threatened, failing, and producing predictable, vilified, low test scores. This is no surprise to any of us--not a one.
For years, women of color and low-income women have heard this patriarchal message from various messengers implying that we are naive, misguided, and lack the intellectual capacity to make personal, critical, often difficult, informed decisions about our lives in general and our bodies more specifically.
One day, you realize how absurd your current mindset is, that this shit doesn't matter. You let your demons go, knowing that, perhaps, sharing your story can help some other chubby, goofy, socially-isolated, sensitive kid getting bulled in America who feels like no one in the world cares about him.
Over a million people have a Katrina story to tell and we're dedicating this week to exploring those stories. And while many narratives include sorrow, we will not fetishize suffering. Instead, we'll provide context, tell the truth and celebrate the resiliency of New Orleans and her people.
Black Voices continues to celebrate Black Music Month by recognizing seven CDs in the gospel genre by African American artists. These spiritual gems are some of the most overlooked works in gospel music, but BV Blogger Jawn Murray chose them as the seven projects every music lover must have!
Kim Burrell's 'Everlasting Life' (Tommy Boy/1998): Like Van Gough and Picasso, Kim Burrell's 'Everlasting Life' is considered by most musicians and singers as a priceless piece of art. Burrell was able to take her jazz-fused, raspy alto -- and all its acrobatics -- and sing an assortment of songs in a genre-blurring style. Cleverly not allowing the intricate vocal arrangements to be overshadowed, Burrell weaves in and out of energetic numbers such as 'I'll Keep Holding On' and mid-tempo grooves like 'Over and Over, Again.' Burrell's jazz appreciation is on display as she sings about God's goodness on 'I Found Him' and 'Lift Jesus.' She also mesmerizes on ballads like 'Prodigal Son,' 'Oh Lord' and 'Holy Ghost,' where her voice and the complex vocal choices she often makes captivates listeners. A classic!
JJ Hairston & Youthful Praise – 'Live: The Praise...The Worship' (Light Records/2005): There has been a separation of the soulful Sunday-morning sounds of the black church and the new-age Praise & Worship movement. On 'Live: The Praise...The Worship,' JJ Hairston & Youthful Praise finally capture the best of both worlds and find a musical balance that is not only affective, but also births songs that will be anthems for years to come. The CD kicks off like a worship service, and the energetic 'You Are So Awesome' sets the tone for what's to come. 'Incredible God,' the CD's breakout hit, is a celebratory ballad that speaks to God's goodness. The Connecticut-based choir gets contemporary, with help from Jonathan Nelson on 'Shift This Place,' while his brother Jason Nelson's matchless tenor shines on 'Oh Holy Lamb.' 'Live: The Praise...The Worship' is a call-and-response CD with material that listeners can sing along to and invoke the spirit of Sunday morning into their personal space. One of the best choir records released in the last five years!
Coko's 'Grateful' (Light Records/2006): As one of the music's most underrated voices, Cheryl Clemons, professionally known as Coko, shines in her solo gospel debut. The SWV front woman, best known for belting R&B hits like 'Weak,' 'Anything' and 'Rain,' sings sacred songs on 'Grateful,' a Grammy-nominated collection of great gospel material. Likely the best gospel recording by an R&B singer since Aretha Franklin's 'Amazing Grace,' Coko delivers better than she ever has on this ambitious studio record. She's impressive on the remake of the Tramaine Hawkins' classic 'Look at Me,' and cleverly tackles The Clark Sisters' 'Endow Me' with the help of fellow R&B stars Faith Evans, Fantasia and Lil' Mo. Coko's soprano soars on the powerful 'Hymn Medley,' while her enchanting tone is showcased on the Donald Lawrence-produced 'Holy.' Whether you're stomping your feet to 'Clap Your Hands' or bobbing your head to the R&B-friendly title track; this CD features a variety of offerings and all of them are good! A must-have.
VaShawn Mitchell's 'Promises' (Tyscot/2007): While many of his peers are recording material with mainstream urban influence, VaShawn Mitchell writes and sings songs that are meant to be sung in church. On 'Promises,' Mitchell captures every aspect of an individual's personal relationship with God, from giving him an energetic 'Crazy Praise' to the declaration ballad 'I'll Just Lift My Hands.' The emotional 'I Worship You' tells a story of God's omnipotence, while on 'Passed Over Me,' Mitchell chants about how God's mercy kept him out of harm's way. Kim Burrell guests on 'Over and Over,' while Angela Spivey takes 'Testimony' to a whole other level. And if the praise party feel of 'For My Good' isn't enough for you, Mitchell gives you a good Holy Ghost experience with his 'Chicago Bump' as well.
Lexi's 'A Praise in the Valley' (Holy Music/2005): After years of recording R&B-friendly contemporary gospel CDs, Lexi found her niche with 'A Praise in the Valley,' a solid live recording of both Praise & Worship and Sunday morning-suited material. On the disc, Lexi brings forth the complete church experience and songs such as 'I've Been Redeemed,' 'He Got Up' and 'Testify, Lexi offers songs that listeners can sing along to. The contemporary Christian ballad – that's what they call White gospel – 'My Heart Belongs to You' featuring Nicole Binion is one of the highlights of the CD. The dynamic Kim Burrell guests on 'Not Until,' and Lexi gets help from William "Praise is What I Do" Murphy on 'Wherever the Lord Is.' Though Lexi is likely best known for being a TV personality and host, just one listen to 'Praise in the Valley' and there will be no doubt that she's a singer first!
Ann Nesby's 'In the Spirit' (Shanachie/2006): Former Sounds of Blackness singer Ann Nesby captures old-school church on 'In the Spirit.' Whether you're young or old, her interpretation of these classic gospel hits will have you clapping your hands and singing along. From Albertina Walker's 'God In Prayer' to the Thompson Community Singers' 'Rise Up and Walk,' Nesby puts her soulful stamp on traditional gospel songs in a way that channels a storefront church revival. Cleverly, Nesby delivers a devotional version of Stevie Wonder's 'Heaven is Ten Zillion Light Years Away' and even offers a funky version of Bill Withers' 'Grandma's Hands.' Whether she is singing Donald Lawrence's 'If I Can't Say a Word' or public domain hymns like 'Oh How I Love Jesus,' one really feels 'In the Spirit' on this musical journey with Nesby.
Deitrick Haddon's 'Crossroads' (Verity/2004): Deitrick Haddon is constantly reinventing himself, and usually his innovative approach to music is a little before its time. On his opus 'Crossroads,' Haddon pairs the musicianship of soul icons like Stevie Wonder and pop idols like Michael Jackson with good ole gospel numbers. The energetic 'God is Good' is a Praise & Worship and Dance Ministry favorite, while the Detroit-bred singer channels the King of Pop on 'U.N.I.T.Y.' Haddon croons like the best R&B balladeers on tracks like 'What Love,' 'Won't Stop Praying' and 'God Didn't Give Up,' while taking a more traditional gospel approach to the churchified 'Prayer Changes Things' and 'Had Not Been,' which features one of his musical mentors, Rance Allen. Overall, 'Crossroads' embodies its album's title, an immaculate blend of both mainstream music and traditional gospel both merged together by Haddon's heavenly tenor.
Check out Jawn Murray's other Black Music Month's picks: