When I visited Christian Love Baptist Church in Irvington, N.J. on July 19 and heard Johnson speak, six years after her son's death, it wasn't a dramatization of events it was real life. A mother poured her heart out to a congregation, which understood her pain.
While access to culturally diverse providers is low, the cost of mental health treatment remains high, which serves as an additional impediment to bridging the gap between the onset of symptoms and accessing professional care.
When I went to South Africa in 2010 to lead a creative writing club for teenage girls, I made sure to emphasize that word: club. I had never taught writing before, didn't have a teaching assistantship as I earned an MFA in nonfiction. I would not be correcting their grammar, nor assigning homework. Besides, how could I persuade girls to spend their Saturday afternoons in a writing class?
I am sorry for having even an ounce of doubt because I did not want the legacy of America's dad being black to deteriorate. I apologize for being so obsessed with that legacy that it blinded me to any wrongdoing.
No one I knew ever trusted the police. We never believed that they were there to protect and serve us. This became abundantly clear when I was 14 years old.
Getting behind the wheel, Bland had three strikes against her. She was black, female and fearless, a combination that is antithetical to all the vaunted white-centered narratives of driving and freedom in the U.S.
While police brutality affects people of all races and backgrounds in the U.S., it's important to note that black citizens face a unique experience within America's criminal justice system, just as they've faced a unique state of affairs for centuries in the United States.
Dear fellow white feminists, we need to talk about Sandra Bland. More specifically, we need to talk about why we aren't talking about Sandra Bland.
Since seeing the Sandra Bland video, I've been asking myself what I would've done if I were in her shoes. In my mind, I hear my momma telling me, "That's why I always tell you not to talk back to authority."
The extraordinary writer, filmmaker, and professor is on a mission to reach all people -- many of whom may have never been introduced to the power of words, the power of literature.
The BE MODERN MAN rally cry is "ITS OUR NORMAL TO BE EXTRAORDINARY". That is a very powerful statement. It is not our normal to be criminals, it is not our normal to be unemployed, it is not our normal to be below average, however, it is our normal to be extraordinary!
Dear Peace Officer, please hear my plea and the plea of the nation. Will you stop killing me? Will you protect and serve me now? #IAmHumanToo.
White people, no matter how nice, how good, how desirous of honest equality, can only understand so much of something they cannot viscerally experience. I know because I thought I knew... until I discovered how little I actually did.
Sen. Sanders, there is one issue that you must progress greatly on if you wish to become the president that America needs in 2016. That issue is racial justice. Saying that racism exists in your next speech or adding #blacklivesmatter to the end of your next tweet is not enough.
The abusive arrest and subsequent suspicious death of Sandra Bland is, tragically, far from an isolated incident. On the same day that the facts started to emerge about Bland, Kindra Chapman, an 18-year-old African American girl reportedly took her own life in an Alabama prison cell, after being arrested for allegedly stealing a cellphone.
Through deeply personal stories and reflections, Ta-Nehisi Coates's new book "Between the World and Me" provides essential perspective into a critical topic: violence against black people. The book's primary shortcoming is that it fails to offer any real vision or policy solutions.
Sandra Bland's death is a horrific display of how vulnerable black people in this country are at the hands of law enforcement, and how indelicately black lives are publicly scrutinized for character flaws when that vulnerability results in death.
Something seemed wrong about this situation. The officer said, "Give me your keys!" I said, "Why" but she ignored me. I still wasn't sure what was going on, I said, No. "Wrong answer" she replied. She snatched open my car door yelling, "Get the f**k out of the car" as she yanked me from my seat.
I attended yet another prayer vigil for an unarmed African American shot and killed by a police officer. No, I was not in Ferguson, Baltimore, New York, Cleveland, Los Angeles, Charleston or in the state of Florida. I was here in Memphis, Tennessee.
Black Voices continues to celebrate Black Music Month by recognizing seven CDs in the gospel genre by African American artists. These spiritual gems are some of the most overlooked works in gospel music, but BV Blogger Jawn Murray chose them as the seven projects every music lover must have!
Kim Burrell's 'Everlasting Life' (Tommy Boy/1998): Like Van Gough and Picasso, Kim Burrell's 'Everlasting Life' is considered by most musicians and singers as a priceless piece of art. Burrell was able to take her jazz-fused, raspy alto -- and all its acrobatics -- and sing an assortment of songs in a genre-blurring style. Cleverly not allowing the intricate vocal arrangements to be overshadowed, Burrell weaves in and out of energetic numbers such as 'I'll Keep Holding On' and mid-tempo grooves like 'Over and Over, Again.' Burrell's jazz appreciation is on display as she sings about God's goodness on 'I Found Him' and 'Lift Jesus.' She also mesmerizes on ballads like 'Prodigal Son,' 'Oh Lord' and 'Holy Ghost,' where her voice and the complex vocal choices she often makes captivates listeners. A classic!
JJ Hairston & Youthful Praise – 'Live: The Praise...The Worship' (Light Records/2005): There has been a separation of the soulful Sunday-morning sounds of the black church and the new-age Praise & Worship movement. On 'Live: The Praise...The Worship,' JJ Hairston & Youthful Praise finally capture the best of both worlds and find a musical balance that is not only affective, but also births songs that will be anthems for years to come. The CD kicks off like a worship service, and the energetic 'You Are So Awesome' sets the tone for what's to come. 'Incredible God,' the CD's breakout hit, is a celebratory ballad that speaks to God's goodness. The Connecticut-based choir gets contemporary, with help from Jonathan Nelson on 'Shift This Place,' while his brother Jason Nelson's matchless tenor shines on 'Oh Holy Lamb.' 'Live: The Praise...The Worship' is a call-and-response CD with material that listeners can sing along to and invoke the spirit of Sunday morning into their personal space. One of the best choir records released in the last five years!
Coko's 'Grateful' (Light Records/2006): As one of the music's most underrated voices, Cheryl Clemons, professionally known as Coko, shines in her solo gospel debut. The SWV front woman, best known for belting R&B hits like 'Weak,' 'Anything' and 'Rain,' sings sacred songs on 'Grateful,' a Grammy-nominated collection of great gospel material. Likely the best gospel recording by an R&B singer since Aretha Franklin's 'Amazing Grace,' Coko delivers better than she ever has on this ambitious studio record. She's impressive on the remake of the Tramaine Hawkins' classic 'Look at Me,' and cleverly tackles The Clark Sisters' 'Endow Me' with the help of fellow R&B stars Faith Evans, Fantasia and Lil' Mo. Coko's soprano soars on the powerful 'Hymn Medley,' while her enchanting tone is showcased on the Donald Lawrence-produced 'Holy.' Whether you're stomping your feet to 'Clap Your Hands' or bobbing your head to the R&B-friendly title track; this CD features a variety of offerings and all of them are good! A must-have.
VaShawn Mitchell's 'Promises' (Tyscot/2007): While many of his peers are recording material with mainstream urban influence, VaShawn Mitchell writes and sings songs that are meant to be sung in church. On 'Promises,' Mitchell captures every aspect of an individual's personal relationship with God, from giving him an energetic 'Crazy Praise' to the declaration ballad 'I'll Just Lift My Hands.' The emotional 'I Worship You' tells a story of God's omnipotence, while on 'Passed Over Me,' Mitchell chants about how God's mercy kept him out of harm's way. Kim Burrell guests on 'Over and Over,' while Angela Spivey takes 'Testimony' to a whole other level. And if the praise party feel of 'For My Good' isn't enough for you, Mitchell gives you a good Holy Ghost experience with his 'Chicago Bump' as well.
Lexi's 'A Praise in the Valley' (Holy Music/2005): After years of recording R&B-friendly contemporary gospel CDs, Lexi found her niche with 'A Praise in the Valley,' a solid live recording of both Praise & Worship and Sunday morning-suited material. On the disc, Lexi brings forth the complete church experience and songs such as 'I've Been Redeemed,' 'He Got Up' and 'Testify, Lexi offers songs that listeners can sing along to. The contemporary Christian ballad – that's what they call White gospel – 'My Heart Belongs to You' featuring Nicole Binion is one of the highlights of the CD. The dynamic Kim Burrell guests on 'Not Until,' and Lexi gets help from William "Praise is What I Do" Murphy on 'Wherever the Lord Is.' Though Lexi is likely best known for being a TV personality and host, just one listen to 'Praise in the Valley' and there will be no doubt that she's a singer first!
Ann Nesby's 'In the Spirit' (Shanachie/2006): Former Sounds of Blackness singer Ann Nesby captures old-school church on 'In the Spirit.' Whether you're young or old, her interpretation of these classic gospel hits will have you clapping your hands and singing along. From Albertina Walker's 'God In Prayer' to the Thompson Community Singers' 'Rise Up and Walk,' Nesby puts her soulful stamp on traditional gospel songs in a way that channels a storefront church revival. Cleverly, Nesby delivers a devotional version of Stevie Wonder's 'Heaven is Ten Zillion Light Years Away' and even offers a funky version of Bill Withers' 'Grandma's Hands.' Whether she is singing Donald Lawrence's 'If I Can't Say a Word' or public domain hymns like 'Oh How I Love Jesus,' one really feels 'In the Spirit' on this musical journey with Nesby.
Deitrick Haddon's 'Crossroads' (Verity/2004): Deitrick Haddon is constantly reinventing himself, and usually his innovative approach to music is a little before its time. On his opus 'Crossroads,' Haddon pairs the musicianship of soul icons like Stevie Wonder and pop idols like Michael Jackson with good ole gospel numbers. The energetic 'God is Good' is a Praise & Worship and Dance Ministry favorite, while the Detroit-bred singer channels the King of Pop on 'U.N.I.T.Y.' Haddon croons like the best R&B balladeers on tracks like 'What Love,' 'Won't Stop Praying' and 'God Didn't Give Up,' while taking a more traditional gospel approach to the churchified 'Prayer Changes Things' and 'Had Not Been,' which features one of his musical mentors, Rance Allen. Overall, 'Crossroads' embodies its album's title, an immaculate blend of both mainstream music and traditional gospel both merged together by Haddon's heavenly tenor.
Check out Jawn Murray's other Black Music Month's picks: