Invoking Lennie as its benchmark, the Texas Court of Criminal Appeals announced rules that fail to protect persons with intellectual disability from execution. Because of these unscientific and fictional standards, Robert Ladd, a man who has an IQ of 67, faces the death chamber this Thursday.
Do you know your AGI from your ARM from your PMI? Or does the mere mention of those acronyms make you go, "Huh?" If you don't speak personal finance, don't worry -- we're here to help.
As the minority-majority population becomes more of a reality, Hollywood has to go through a metamorphosis. I would guess that most smart executives know this and are looking for the kinds of partnerships that will keep them relevant. We must seize this opportunity and break down the tough walls of segregation in Hollywood.
I've been waiting a lifetime for a film like Black or White. Growing up biracial in the mid-70s and late 80's, I wondered when I would get to see myself up there on the big screen too. Where were the blended interracial families like mine?
The songbirds whose drama reaches as high as the notes they hit are back for a third season of TV One's hit series, R&B Divas: LA.
It is a national disgrace that so many poor children live in the United States of America -- the world's richest economy. It doesn't have to be this way. It's costly. And it's the greatest threat to our future national, economic and military security.
This is not just an educational but an economic issue and as such, every segment of society should support the president's efforts to find ways to expand early childhood education access for all children.
For change to happen, we must focus our resources on mechanisms of support. There is another way forward that does not involve punishment or jail. It's time to stop criminalizing victims and provide help instead.
As we reflect on Black History month, we must truly be proud of the contributions of the African Americans in every aspect of our society. African Americans, despite their history of oppression and exclusion, remain committed to America.
We often think that issues are irrelevant because they do not directly affect us, but we forget that we can easily be the ones in an unfortunate situation at any moment.
Even for students who have overcome statistics, escaped the so-called "school-to-prison pipeline," and ascended into the most elite educational settings, the most basic messaging of this system for enforcing identity still resonates, if only through brief, but highly symbolic encounters.
The 13th Amendment and the abolition of slavery is clearly worthy of celebration. Yet abolition did not have to take so long, do so little, or at such an awful cost.
"I don't have celebrities in my phone or on my speed dial. When I finish The Wendy Williams Show I head back home to New Jersey. I like to be home with my family."
A gulf remains today in our nation between the "haves" and "have-nots," and there are few examples as glaring as the disparities that exist in our public schools.
I stayed away from my country for 11 years, raising my three daughters in the calm and safety of Canada. I decided I could not let everything my husband tried to achieve be forgotten or destroyed. When I landed back in Mogadishu, I was amazed by what I saw. And what shocked me most was what had happened to women.
We need to tell new stories. We need to see new actors who look, sound and act like the real America. Racism is not just a concept. It is as staring down at us from the big and small screens.
More than 86 percent of students in Maryland are earning diplomas within four years, a record-high graduation rate for the state, according to data released Tuesday. Maryland state officials celebrated the achievement, noting that the rate has risen more than four percentage points since 2010.
It's crucial for everyone in our community to know that leaving opportunities for health coverage on the table and trying to get along without health care only exacerbates the various health issues that already disproportionately impact LGBT people
Black Voices continues to celebrate Black Music Month by recognizing seven CDs in the gospel genre by African American artists. These spiritual gems are some of the most overlooked works in gospel music, but BV Blogger Jawn Murray chose them as the seven projects every music lover must have!
Kim Burrell's 'Everlasting Life' (Tommy Boy/1998): Like Van Gough and Picasso, Kim Burrell's 'Everlasting Life' is considered by most musicians and singers as a priceless piece of art. Burrell was able to take her jazz-fused, raspy alto -- and all its acrobatics -- and sing an assortment of songs in a genre-blurring style. Cleverly not allowing the intricate vocal arrangements to be overshadowed, Burrell weaves in and out of energetic numbers such as 'I'll Keep Holding On' and mid-tempo grooves like 'Over and Over, Again.' Burrell's jazz appreciation is on display as she sings about God's goodness on 'I Found Him' and 'Lift Jesus.' She also mesmerizes on ballads like 'Prodigal Son,' 'Oh Lord' and 'Holy Ghost,' where her voice and the complex vocal choices she often makes captivates listeners. A classic!
JJ Hairston & Youthful Praise – 'Live: The Praise...The Worship' (Light Records/2005): There has been a separation of the soulful Sunday-morning sounds of the black church and the new-age Praise & Worship movement. On 'Live: The Praise...The Worship,' JJ Hairston & Youthful Praise finally capture the best of both worlds and find a musical balance that is not only affective, but also births songs that will be anthems for years to come. The CD kicks off like a worship service, and the energetic 'You Are So Awesome' sets the tone for what's to come. 'Incredible God,' the CD's breakout hit, is a celebratory ballad that speaks to God's goodness. The Connecticut-based choir gets contemporary, with help from Jonathan Nelson on 'Shift This Place,' while his brother Jason Nelson's matchless tenor shines on 'Oh Holy Lamb.' 'Live: The Praise...The Worship' is a call-and-response CD with material that listeners can sing along to and invoke the spirit of Sunday morning into their personal space. One of the best choir records released in the last five years!
Coko's 'Grateful' (Light Records/2006): As one of the music's most underrated voices, Cheryl Clemons, professionally known as Coko, shines in her solo gospel debut. The SWV front woman, best known for belting R&B hits like 'Weak,' 'Anything' and 'Rain,' sings sacred songs on 'Grateful,' a Grammy-nominated collection of great gospel material. Likely the best gospel recording by an R&B singer since Aretha Franklin's 'Amazing Grace,' Coko delivers better than she ever has on this ambitious studio record. She's impressive on the remake of the Tramaine Hawkins' classic 'Look at Me,' and cleverly tackles The Clark Sisters' 'Endow Me' with the help of fellow R&B stars Faith Evans, Fantasia and Lil' Mo. Coko's soprano soars on the powerful 'Hymn Medley,' while her enchanting tone is showcased on the Donald Lawrence-produced 'Holy.' Whether you're stomping your feet to 'Clap Your Hands' or bobbing your head to the R&B-friendly title track; this CD features a variety of offerings and all of them are good! A must-have.
VaShawn Mitchell's 'Promises' (Tyscot/2007): While many of his peers are recording material with mainstream urban influence, VaShawn Mitchell writes and sings songs that are meant to be sung in church. On 'Promises,' Mitchell captures every aspect of an individual's personal relationship with God, from giving him an energetic 'Crazy Praise' to the declaration ballad 'I'll Just Lift My Hands.' The emotional 'I Worship You' tells a story of God's omnipotence, while on 'Passed Over Me,' Mitchell chants about how God's mercy kept him out of harm's way. Kim Burrell guests on 'Over and Over,' while Angela Spivey takes 'Testimony' to a whole other level. And if the praise party feel of 'For My Good' isn't enough for you, Mitchell gives you a good Holy Ghost experience with his 'Chicago Bump' as well.
Lexi's 'A Praise in the Valley' (Holy Music/2005): After years of recording R&B-friendly contemporary gospel CDs, Lexi found her niche with 'A Praise in the Valley,' a solid live recording of both Praise & Worship and Sunday morning-suited material. On the disc, Lexi brings forth the complete church experience and songs such as 'I've Been Redeemed,' 'He Got Up' and 'Testify, Lexi offers songs that listeners can sing along to. The contemporary Christian ballad – that's what they call White gospel – 'My Heart Belongs to You' featuring Nicole Binion is one of the highlights of the CD. The dynamic Kim Burrell guests on 'Not Until,' and Lexi gets help from William "Praise is What I Do" Murphy on 'Wherever the Lord Is.' Though Lexi is likely best known for being a TV personality and host, just one listen to 'Praise in the Valley' and there will be no doubt that she's a singer first!
Ann Nesby's 'In the Spirit' (Shanachie/2006): Former Sounds of Blackness singer Ann Nesby captures old-school church on 'In the Spirit.' Whether you're young or old, her interpretation of these classic gospel hits will have you clapping your hands and singing along. From Albertina Walker's 'God In Prayer' to the Thompson Community Singers' 'Rise Up and Walk,' Nesby puts her soulful stamp on traditional gospel songs in a way that channels a storefront church revival. Cleverly, Nesby delivers a devotional version of Stevie Wonder's 'Heaven is Ten Zillion Light Years Away' and even offers a funky version of Bill Withers' 'Grandma's Hands.' Whether she is singing Donald Lawrence's 'If I Can't Say a Word' or public domain hymns like 'Oh How I Love Jesus,' one really feels 'In the Spirit' on this musical journey with Nesby.
Deitrick Haddon's 'Crossroads' (Verity/2004): Deitrick Haddon is constantly reinventing himself, and usually his innovative approach to music is a little before its time. On his opus 'Crossroads,' Haddon pairs the musicianship of soul icons like Stevie Wonder and pop idols like Michael Jackson with good ole gospel numbers. The energetic 'God is Good' is a Praise & Worship and Dance Ministry favorite, while the Detroit-bred singer channels the King of Pop on 'U.N.I.T.Y.' Haddon croons like the best R&B balladeers on tracks like 'What Love,' 'Won't Stop Praying' and 'God Didn't Give Up,' while taking a more traditional gospel approach to the churchified 'Prayer Changes Things' and 'Had Not Been,' which features one of his musical mentors, Rance Allen. Overall, 'Crossroads' embodies its album's title, an immaculate blend of both mainstream music and traditional gospel both merged together by Haddon's heavenly tenor.
Check out Jawn Murray's other Black Music Month's picks: