If you adopt a marathon approach to money, it can allow you to take a more holistic look at your overall financial picture to see how decisions that you make in your 20s and 30s can impact your 40s, 50s and beyond.
Many of us from academic institutions have lacked the support to facilitate our commitment to addressing an injustice in healthcare that is ongoing in West Africa. This is deeply disappointing but we believe it is correctable.
It's the revolutionary multi-billion-dollar industry nobody's heard of, and it's killing credit card debt for hundreds of thousands of consumers. It's not only disrupting, but completely undressing the traditional credit model.
On the evening of April 26 I received a phone call that one never wants to get. My younger sister, Keisha told me in a very soft, calm demeanor that our mother passed out. After much anxious questioning, I soon found out that my mother passed away from a heart attack.
As we approach your 14th birthday, it is with great trepidation and anxiety that I write this letter to you. I am so proud of the young lady you have become, but I feel I am fighting against the clock to instill in you the life lessons I hold so dear.
Change is long overdue. But I'm not entirely convinced that we're considering the full range of changes that need to take place.
Buying your first home, starting a family or purchasing a car are major events that require a lot of financial planning. Unfortunately for millennials, a recent TD Bank survey found that two-thirds of older millennials (ages 24-34) wish they had been more financially prepared for these life events.
It's clear that Black families want stronger academics to prepare their students for college, the workforce and an better quality of life. To get there, we have to reject the idea that low-income students automatically translate into low-performing schools.
The NCAA is under attack on all fronts, and the new College Football Playoff system is the latest example of profits trumping the best interest of student-athletes.
For the second time in its ten year history, the African-American Literary Awards Show [AALAS] has canceled its ceremony. The first cancellation in 2005 was due to Hurricane Katrina but this year the challenges appear to be internal.
When I heard that Koko Jones, Houston's former percussionist (as well as The Isley Brothers' former percussionist), had embarked on her first album since coming out as a trans woman, I took notice and became very excited to talk to her about her life and music.
At the forefront of this initiative is second term Nassau County Legislator Carrié Solages and his Democratic Minority Caucus colleagues, Legislators Kevan Abrahams and Siela Bynoe.
Each year, the Howard University Homecoming continues to reach higher heights. This year's Crown, celebrated 90 years of creating a celebrity-filled week of events to recognize and commemorate the work of the University's students and alumni.
This journey into a bleak world not fathomed before is intriguing, unnerving and haunting. You'll walk out of the theater feeling like you need to go home to shower and scrub this film off your skin.
At a time when society needs it the most, Dr. Kingsley Fletcher proves himself to be a man committed to not only challenging society's misconceptions on Africa's potential, but a leader personally invested in the well-needed restoration of black relations across the globe.
This year has made me question a number of things, my love of New York among them. There was a time I thought that love would be forever unwavering. That, along with my love of writing. Love is funny that way, though. It burns and it burns, white-hot, blindingly hot, until it burns itself out. And I'm all burnt out on New York, on writing, on it all.
Next week, California voters will have a chance to vote for historic criminal justice reform in a state that badly needs it. A ballot initiative called Proposition 47 is poised to rebalance California's priorities away from incarceration and towards rehabilitation and education.
Black Voices continues to celebrate Black Music Month by recognizing seven CDs in the gospel genre by African American artists. These spiritual gems are some of the most overlooked works in gospel music, but BV Blogger Jawn Murray chose them as the seven projects every music lover must have!
Kim Burrell's 'Everlasting Life' (Tommy Boy/1998): Like Van Gough and Picasso, Kim Burrell's 'Everlasting Life' is considered by most musicians and singers as a priceless piece of art. Burrell was able to take her jazz-fused, raspy alto -- and all its acrobatics -- and sing an assortment of songs in a genre-blurring style. Cleverly not allowing the intricate vocal arrangements to be overshadowed, Burrell weaves in and out of energetic numbers such as 'I'll Keep Holding On' and mid-tempo grooves like 'Over and Over, Again.' Burrell's jazz appreciation is on display as she sings about God's goodness on 'I Found Him' and 'Lift Jesus.' She also mesmerizes on ballads like 'Prodigal Son,' 'Oh Lord' and 'Holy Ghost,' where her voice and the complex vocal choices she often makes captivates listeners. A classic!
JJ Hairston & Youthful Praise – 'Live: The Praise...The Worship' (Light Records/2005): There has been a separation of the soulful Sunday-morning sounds of the black church and the new-age Praise & Worship movement. On 'Live: The Praise...The Worship,' JJ Hairston & Youthful Praise finally capture the best of both worlds and find a musical balance that is not only affective, but also births songs that will be anthems for years to come. The CD kicks off like a worship service, and the energetic 'You Are So Awesome' sets the tone for what's to come. 'Incredible God,' the CD's breakout hit, is a celebratory ballad that speaks to God's goodness. The Connecticut-based choir gets contemporary, with help from Jonathan Nelson on 'Shift This Place,' while his brother Jason Nelson's matchless tenor shines on 'Oh Holy Lamb.' 'Live: The Praise...The Worship' is a call-and-response CD with material that listeners can sing along to and invoke the spirit of Sunday morning into their personal space. One of the best choir records released in the last five years!
Coko's 'Grateful' (Light Records/2006): As one of the music's most underrated voices, Cheryl Clemons, professionally known as Coko, shines in her solo gospel debut. The SWV front woman, best known for belting R&B hits like 'Weak,' 'Anything' and 'Rain,' sings sacred songs on 'Grateful,' a Grammy-nominated collection of great gospel material. Likely the best gospel recording by an R&B singer since Aretha Franklin's 'Amazing Grace,' Coko delivers better than she ever has on this ambitious studio record. She's impressive on the remake of the Tramaine Hawkins' classic 'Look at Me,' and cleverly tackles The Clark Sisters' 'Endow Me' with the help of fellow R&B stars Faith Evans, Fantasia and Lil' Mo. Coko's soprano soars on the powerful 'Hymn Medley,' while her enchanting tone is showcased on the Donald Lawrence-produced 'Holy.' Whether you're stomping your feet to 'Clap Your Hands' or bobbing your head to the R&B-friendly title track; this CD features a variety of offerings and all of them are good! A must-have.
VaShawn Mitchell's 'Promises' (Tyscot/2007): While many of his peers are recording material with mainstream urban influence, VaShawn Mitchell writes and sings songs that are meant to be sung in church. On 'Promises,' Mitchell captures every aspect of an individual's personal relationship with God, from giving him an energetic 'Crazy Praise' to the declaration ballad 'I'll Just Lift My Hands.' The emotional 'I Worship You' tells a story of God's omnipotence, while on 'Passed Over Me,' Mitchell chants about how God's mercy kept him out of harm's way. Kim Burrell guests on 'Over and Over,' while Angela Spivey takes 'Testimony' to a whole other level. And if the praise party feel of 'For My Good' isn't enough for you, Mitchell gives you a good Holy Ghost experience with his 'Chicago Bump' as well.
Lexi's 'A Praise in the Valley' (Holy Music/2005): After years of recording R&B-friendly contemporary gospel CDs, Lexi found her niche with 'A Praise in the Valley,' a solid live recording of both Praise & Worship and Sunday morning-suited material. On the disc, Lexi brings forth the complete church experience and songs such as 'I've Been Redeemed,' 'He Got Up' and 'Testify, Lexi offers songs that listeners can sing along to. The contemporary Christian ballad – that's what they call White gospel – 'My Heart Belongs to You' featuring Nicole Binion is one of the highlights of the CD. The dynamic Kim Burrell guests on 'Not Until,' and Lexi gets help from William "Praise is What I Do" Murphy on 'Wherever the Lord Is.' Though Lexi is likely best known for being a TV personality and host, just one listen to 'Praise in the Valley' and there will be no doubt that she's a singer first!
Ann Nesby's 'In the Spirit' (Shanachie/2006): Former Sounds of Blackness singer Ann Nesby captures old-school church on 'In the Spirit.' Whether you're young or old, her interpretation of these classic gospel hits will have you clapping your hands and singing along. From Albertina Walker's 'God In Prayer' to the Thompson Community Singers' 'Rise Up and Walk,' Nesby puts her soulful stamp on traditional gospel songs in a way that channels a storefront church revival. Cleverly, Nesby delivers a devotional version of Stevie Wonder's 'Heaven is Ten Zillion Light Years Away' and even offers a funky version of Bill Withers' 'Grandma's Hands.' Whether she is singing Donald Lawrence's 'If I Can't Say a Word' or public domain hymns like 'Oh How I Love Jesus,' one really feels 'In the Spirit' on this musical journey with Nesby.
Deitrick Haddon's 'Crossroads' (Verity/2004): Deitrick Haddon is constantly reinventing himself, and usually his innovative approach to music is a little before its time. On his opus 'Crossroads,' Haddon pairs the musicianship of soul icons like Stevie Wonder and pop idols like Michael Jackson with good ole gospel numbers. The energetic 'God is Good' is a Praise & Worship and Dance Ministry favorite, while the Detroit-bred singer channels the King of Pop on 'U.N.I.T.Y.' Haddon croons like the best R&B balladeers on tracks like 'What Love,' 'Won't Stop Praying' and 'God Didn't Give Up,' while taking a more traditional gospel approach to the churchified 'Prayer Changes Things' and 'Had Not Been,' which features one of his musical mentors, Rance Allen. Overall, 'Crossroads' embodies its album's title, an immaculate blend of both mainstream music and traditional gospel both merged together by Haddon's heavenly tenor.
Check out Jawn Murray's other Black Music Month's picks: