Memorial Day weekend is in full swing and Brooklyn has you covered if you are looking to be around some beautiful black culture. If you still don't have any plans check out some of these events where the melanin will definitely be on fleek.
For many facing adolescence, the road to developing a true sense of self-identity is paved with an unfavorable amount of pain, pressure, and uncertainty.
Not too long ago, Mr. Brown, you were in a similar place as Ms. Ayeb when the media aimed to make you feel ashamed and small, so I'm sure you can understand when I say to you that your remarks on TMZ were damaging, ignorant and unnecessarily part of this unhealthy cycle of mocking the mentally ill.
Philadelphia has a long history as an incubator for social justice activism, from the abolition of slavery to the Black Power movement. Moreover, with its high unemployment and poverty, low wages, and high incarceration rate, the city could become another Baltimore.
I believe Ambassador Haley's place in American history should be more prominent. For a man who made American history six times, Ambassador Haley never spoke of his accomplishments or the past preferring to concentrate on the future.
If one looks only at individuals with a bachelor's degree, the black unemployment rate still approaches twice that of the white unemployment rate. One reason? Because individual effort on the part of black workers cannot change the minds of the remaining discriminatory employers.
When former Mass. Gov. Deval Patrick stood before the Morehouse College Class of 2015 to deliver his commencement address, he joined a host of notable black men, who, in recent years have ascended to the heights of American public service and have too charged black men and boys to be exceptional.
While we may speak similarly as another from the same culture, a racially monolithic way of talking is simply not possible. We deserve to give each other room for cultural background and experience, and should not force each other to conform into our conceptions of their group.
With the sermon on the mount and the Beatitudes in mind, we have to ask ourselves. What would Jesus do if He lived today and His community was being oppressed and killed by those in power?
Even when we disagree, we owe it to each other to push the discourse with researched rigor, not just anecdotal evidence or conceptions that can often guise logical fallacies.
I can go on and on about how the life of 20-year-old O'Shea Jackson, aka Ice Cube was similar to every other 20-year-old black man in Amerikkka, I mean, America. The lessons he learned and the messages he portrayed exhibited on this album can still be heard today.
When I see the video of panic-stricken Toya Graham, I see myself, and all the other Black mothers who are desperate to keep our children physically, spiritually and emotionally safe in a society that doesn't honor their childhood. It's a special desperation known mostly by the oppressed.
The April riots in Baltimore, Maryland, were shocking, but in retrospect, should not have been a surprise. The tensions between the police officers and African Americans living in segregated, inner-city communities have been festering for decades.
Despite these understandable challenges, I do believe now is the time for us to engage in menstrual hygiene advocacy, for ourselves as well as for women and girls around the world. Our silence about menstruation has kept us psychologically and reproductively sick.
Someone must issue a moral call to arms to reclaim the banner of decency, moral outrage, and nonviolence to save our children. Yes, young black men are our children.
I have grown to love my features, not because the whims of fleeting trends tell me that I am allowed to, but because wishing to be anything different is an affront to who I am. Because there is something beautiful in the curves and hues that contribute to the woman I see in the mirror.
It's hard for me to celebrate on Mother's Day. I feel the absence of my 23-year-old son, Sean Elijah Bell, who was killed on November 25, 2006. He was out celebrating at his own bachelor party with his friends in New York City. It was only a matter of a hours before his wedding, and I was so thrilled.
Despite poetic mantras championing the American Dream and romanticized ideas of equality regarding race, gender and sexuality -- laws were not instituted to protect or factor morality.
Black Voices continues to celebrate Black Music Month by recognizing seven CDs in the gospel genre by African American artists. These spiritual gems are some of the most overlooked works in gospel music, but BV Blogger Jawn Murray chose them as the seven projects every music lover must have!
Kim Burrell's 'Everlasting Life' (Tommy Boy/1998): Like Van Gough and Picasso, Kim Burrell's 'Everlasting Life' is considered by most musicians and singers as a priceless piece of art. Burrell was able to take her jazz-fused, raspy alto -- and all its acrobatics -- and sing an assortment of songs in a genre-blurring style. Cleverly not allowing the intricate vocal arrangements to be overshadowed, Burrell weaves in and out of energetic numbers such as 'I'll Keep Holding On' and mid-tempo grooves like 'Over and Over, Again.' Burrell's jazz appreciation is on display as she sings about God's goodness on 'I Found Him' and 'Lift Jesus.' She also mesmerizes on ballads like 'Prodigal Son,' 'Oh Lord' and 'Holy Ghost,' where her voice and the complex vocal choices she often makes captivates listeners. A classic!
JJ Hairston & Youthful Praise – 'Live: The Praise...The Worship' (Light Records/2005): There has been a separation of the soulful Sunday-morning sounds of the black church and the new-age Praise & Worship movement. On 'Live: The Praise...The Worship,' JJ Hairston & Youthful Praise finally capture the best of both worlds and find a musical balance that is not only affective, but also births songs that will be anthems for years to come. The CD kicks off like a worship service, and the energetic 'You Are So Awesome' sets the tone for what's to come. 'Incredible God,' the CD's breakout hit, is a celebratory ballad that speaks to God's goodness. The Connecticut-based choir gets contemporary, with help from Jonathan Nelson on 'Shift This Place,' while his brother Jason Nelson's matchless tenor shines on 'Oh Holy Lamb.' 'Live: The Praise...The Worship' is a call-and-response CD with material that listeners can sing along to and invoke the spirit of Sunday morning into their personal space. One of the best choir records released in the last five years!
Coko's 'Grateful' (Light Records/2006): As one of the music's most underrated voices, Cheryl Clemons, professionally known as Coko, shines in her solo gospel debut. The SWV front woman, best known for belting R&B hits like 'Weak,' 'Anything' and 'Rain,' sings sacred songs on 'Grateful,' a Grammy-nominated collection of great gospel material. Likely the best gospel recording by an R&B singer since Aretha Franklin's 'Amazing Grace,' Coko delivers better than she ever has on this ambitious studio record. She's impressive on the remake of the Tramaine Hawkins' classic 'Look at Me,' and cleverly tackles The Clark Sisters' 'Endow Me' with the help of fellow R&B stars Faith Evans, Fantasia and Lil' Mo. Coko's soprano soars on the powerful 'Hymn Medley,' while her enchanting tone is showcased on the Donald Lawrence-produced 'Holy.' Whether you're stomping your feet to 'Clap Your Hands' or bobbing your head to the R&B-friendly title track; this CD features a variety of offerings and all of them are good! A must-have.
VaShawn Mitchell's 'Promises' (Tyscot/2007): While many of his peers are recording material with mainstream urban influence, VaShawn Mitchell writes and sings songs that are meant to be sung in church. On 'Promises,' Mitchell captures every aspect of an individual's personal relationship with God, from giving him an energetic 'Crazy Praise' to the declaration ballad 'I'll Just Lift My Hands.' The emotional 'I Worship You' tells a story of God's omnipotence, while on 'Passed Over Me,' Mitchell chants about how God's mercy kept him out of harm's way. Kim Burrell guests on 'Over and Over,' while Angela Spivey takes 'Testimony' to a whole other level. And if the praise party feel of 'For My Good' isn't enough for you, Mitchell gives you a good Holy Ghost experience with his 'Chicago Bump' as well.
Lexi's 'A Praise in the Valley' (Holy Music/2005): After years of recording R&B-friendly contemporary gospel CDs, Lexi found her niche with 'A Praise in the Valley,' a solid live recording of both Praise & Worship and Sunday morning-suited material. On the disc, Lexi brings forth the complete church experience and songs such as 'I've Been Redeemed,' 'He Got Up' and 'Testify, Lexi offers songs that listeners can sing along to. The contemporary Christian ballad – that's what they call White gospel – 'My Heart Belongs to You' featuring Nicole Binion is one of the highlights of the CD. The dynamic Kim Burrell guests on 'Not Until,' and Lexi gets help from William "Praise is What I Do" Murphy on 'Wherever the Lord Is.' Though Lexi is likely best known for being a TV personality and host, just one listen to 'Praise in the Valley' and there will be no doubt that she's a singer first!
Ann Nesby's 'In the Spirit' (Shanachie/2006): Former Sounds of Blackness singer Ann Nesby captures old-school church on 'In the Spirit.' Whether you're young or old, her interpretation of these classic gospel hits will have you clapping your hands and singing along. From Albertina Walker's 'God In Prayer' to the Thompson Community Singers' 'Rise Up and Walk,' Nesby puts her soulful stamp on traditional gospel songs in a way that channels a storefront church revival. Cleverly, Nesby delivers a devotional version of Stevie Wonder's 'Heaven is Ten Zillion Light Years Away' and even offers a funky version of Bill Withers' 'Grandma's Hands.' Whether she is singing Donald Lawrence's 'If I Can't Say a Word' or public domain hymns like 'Oh How I Love Jesus,' one really feels 'In the Spirit' on this musical journey with Nesby.
Deitrick Haddon's 'Crossroads' (Verity/2004): Deitrick Haddon is constantly reinventing himself, and usually his innovative approach to music is a little before its time. On his opus 'Crossroads,' Haddon pairs the musicianship of soul icons like Stevie Wonder and pop idols like Michael Jackson with good ole gospel numbers. The energetic 'God is Good' is a Praise & Worship and Dance Ministry favorite, while the Detroit-bred singer channels the King of Pop on 'U.N.I.T.Y.' Haddon croons like the best R&B balladeers on tracks like 'What Love,' 'Won't Stop Praying' and 'God Didn't Give Up,' while taking a more traditional gospel approach to the churchified 'Prayer Changes Things' and 'Had Not Been,' which features one of his musical mentors, Rance Allen. Overall, 'Crossroads' embodies its album's title, an immaculate blend of both mainstream music and traditional gospel both merged together by Haddon's heavenly tenor.
Check out Jawn Murray's other Black Music Month's picks: