My day ended with news of a Michael Brown memorial tree being chopped down in less than a day of it being planted. Amidst the maelstrom and versions of justice, it's hard to breathe when even the process of photosynthesis is being interrupted.
Black spirituality in America manifests itself in various ways. The black church, the mosque, traditional African practices and other religions aid African Americans in coping with being treated like second-class citizens.
Does "black gay privilege" still hold when trying to negotiate a raise or a promotion? It is one thing to evaluate a person's multiple social identities on paper and quite another to evaluate that individual in person.
On Monday, the New York Times published a deeply upsetting piece titled, "1.5 Million Missing Black Men." The numbers are shocking and offensive.
As more white women turn to bronzers, lip injections, butt implants and the like, black women are still forced to maintain more conservative images in public to counteract stereotypes based on these features.
To me, you are a fairytale. I never thought that someone like you could exist. I didn't think that a black woman could tell the stories of so many different people on one of the most watched channels in the country.
Some are touting Hillary's 2016 bid as the one that will finally get her the Iron Throne -- um -- White House. But while her supporters are proclaiming Hillary as Daenerys Targaryen, blacks, and more specifically, gay blacks, are wondering how much sincerity and concern she actually has for us.
The next time you want to compliment a black girl, compliment her like you would compliment any other human -- because that's all she is. Human.
When we do our "gratitude inventory" (aka, a way to get them to reflect and pray), they rattle off things as a matter of routine that many people would only dream of.
The assassination of Abraham Lincoln 150 years ago this month was the precursor to the domestic terrorism that would be unleashed on black Americans for the next century.
What does it mean for hundreds of thousands of prisoners in the United States when the world's most famous prisoner faces possible death from medical neglect in a Pennsylvania prison?
Among their requests is that the victims' cases be reviewed for civil rights violations, that the involved police departments undergo patterns and practices investigations, and that those found to be consistently in violation be subject to monitoring and necessary restructuring.
The word of a Black person is disregarded by White America in a similar way. No matter how bad the injustice, no matter how compelling the testimony, there is always someone in a position of authority ready to ignore or disbelieve anything that comes out of a Black person's mouth.
How long can we expect to see new reports and videos of unarmed black men being shot by police in incidents all across the country? Aspects of two of the most recent shootings in Tulsa, Okla. and North Charleston, S.C., suggest some answers to the question, and the answers do not bode well.
When I was younger the search for this mythical creature was tedious, comical, painful, bemusing, exhausting, frustrating, confusing and disconcerting. Now that I'm in my late 50s and look back on the guys I kicked to the curb as well as the ones I let get away, I feel mostly empowered. And this is why.
Experiments like Dr. Solomon's aim to create a visual representation of what beauty means, but instead it just reinforces Eurocentric beauty standards that have long been valued over other traits.
Tonight on PBS, I'm joined by NAACP Image Award and SAG Award-winning actor Isaiah Washington, star of the upcoming feature, Blackbird. In the film, which he also produced, Isaiah plays the father of a devout Christian teenager struggling with his true identity.
Walter Scott was apparently unarmed and no threat to Michael Slager. But as in so of many of these cases, that means little as long as police officials, much of the press, and the public want and is prepared to believe otherwise when the Walter Scotts are killed.
Several evaluations of black and white wealth in America have surfaced over the past several months. Yet, these tools only tell part of the economic story. To truly understand the difference in economic access, you must look at the top of American wealth, and be honest about what you find.
Black Voices continues to celebrate Black Music Month by recognizing seven CDs in the gospel genre by African American artists. These spiritual gems are some of the most overlooked works in gospel music, but BV Blogger Jawn Murray chose them as the seven projects every music lover must have!
Kim Burrell's 'Everlasting Life' (Tommy Boy/1998): Like Van Gough and Picasso, Kim Burrell's 'Everlasting Life' is considered by most musicians and singers as a priceless piece of art. Burrell was able to take her jazz-fused, raspy alto -- and all its acrobatics -- and sing an assortment of songs in a genre-blurring style. Cleverly not allowing the intricate vocal arrangements to be overshadowed, Burrell weaves in and out of energetic numbers such as 'I'll Keep Holding On' and mid-tempo grooves like 'Over and Over, Again.' Burrell's jazz appreciation is on display as she sings about God's goodness on 'I Found Him' and 'Lift Jesus.' She also mesmerizes on ballads like 'Prodigal Son,' 'Oh Lord' and 'Holy Ghost,' where her voice and the complex vocal choices she often makes captivates listeners. A classic!
JJ Hairston & Youthful Praise – 'Live: The Praise...The Worship' (Light Records/2005): There has been a separation of the soulful Sunday-morning sounds of the black church and the new-age Praise & Worship movement. On 'Live: The Praise...The Worship,' JJ Hairston & Youthful Praise finally capture the best of both worlds and find a musical balance that is not only affective, but also births songs that will be anthems for years to come. The CD kicks off like a worship service, and the energetic 'You Are So Awesome' sets the tone for what's to come. 'Incredible God,' the CD's breakout hit, is a celebratory ballad that speaks to God's goodness. The Connecticut-based choir gets contemporary, with help from Jonathan Nelson on 'Shift This Place,' while his brother Jason Nelson's matchless tenor shines on 'Oh Holy Lamb.' 'Live: The Praise...The Worship' is a call-and-response CD with material that listeners can sing along to and invoke the spirit of Sunday morning into their personal space. One of the best choir records released in the last five years!
Coko's 'Grateful' (Light Records/2006): As one of the music's most underrated voices, Cheryl Clemons, professionally known as Coko, shines in her solo gospel debut. The SWV front woman, best known for belting R&B hits like 'Weak,' 'Anything' and 'Rain,' sings sacred songs on 'Grateful,' a Grammy-nominated collection of great gospel material. Likely the best gospel recording by an R&B singer since Aretha Franklin's 'Amazing Grace,' Coko delivers better than she ever has on this ambitious studio record. She's impressive on the remake of the Tramaine Hawkins' classic 'Look at Me,' and cleverly tackles The Clark Sisters' 'Endow Me' with the help of fellow R&B stars Faith Evans, Fantasia and Lil' Mo. Coko's soprano soars on the powerful 'Hymn Medley,' while her enchanting tone is showcased on the Donald Lawrence-produced 'Holy.' Whether you're stomping your feet to 'Clap Your Hands' or bobbing your head to the R&B-friendly title track; this CD features a variety of offerings and all of them are good! A must-have.
VaShawn Mitchell's 'Promises' (Tyscot/2007): While many of his peers are recording material with mainstream urban influence, VaShawn Mitchell writes and sings songs that are meant to be sung in church. On 'Promises,' Mitchell captures every aspect of an individual's personal relationship with God, from giving him an energetic 'Crazy Praise' to the declaration ballad 'I'll Just Lift My Hands.' The emotional 'I Worship You' tells a story of God's omnipotence, while on 'Passed Over Me,' Mitchell chants about how God's mercy kept him out of harm's way. Kim Burrell guests on 'Over and Over,' while Angela Spivey takes 'Testimony' to a whole other level. And if the praise party feel of 'For My Good' isn't enough for you, Mitchell gives you a good Holy Ghost experience with his 'Chicago Bump' as well.
Lexi's 'A Praise in the Valley' (Holy Music/2005): After years of recording R&B-friendly contemporary gospel CDs, Lexi found her niche with 'A Praise in the Valley,' a solid live recording of both Praise & Worship and Sunday morning-suited material. On the disc, Lexi brings forth the complete church experience and songs such as 'I've Been Redeemed,' 'He Got Up' and 'Testify, Lexi offers songs that listeners can sing along to. The contemporary Christian ballad – that's what they call White gospel – 'My Heart Belongs to You' featuring Nicole Binion is one of the highlights of the CD. The dynamic Kim Burrell guests on 'Not Until,' and Lexi gets help from William "Praise is What I Do" Murphy on 'Wherever the Lord Is.' Though Lexi is likely best known for being a TV personality and host, just one listen to 'Praise in the Valley' and there will be no doubt that she's a singer first!
Ann Nesby's 'In the Spirit' (Shanachie/2006): Former Sounds of Blackness singer Ann Nesby captures old-school church on 'In the Spirit.' Whether you're young or old, her interpretation of these classic gospel hits will have you clapping your hands and singing along. From Albertina Walker's 'God In Prayer' to the Thompson Community Singers' 'Rise Up and Walk,' Nesby puts her soulful stamp on traditional gospel songs in a way that channels a storefront church revival. Cleverly, Nesby delivers a devotional version of Stevie Wonder's 'Heaven is Ten Zillion Light Years Away' and even offers a funky version of Bill Withers' 'Grandma's Hands.' Whether she is singing Donald Lawrence's 'If I Can't Say a Word' or public domain hymns like 'Oh How I Love Jesus,' one really feels 'In the Spirit' on this musical journey with Nesby.
Deitrick Haddon's 'Crossroads' (Verity/2004): Deitrick Haddon is constantly reinventing himself, and usually his innovative approach to music is a little before its time. On his opus 'Crossroads,' Haddon pairs the musicianship of soul icons like Stevie Wonder and pop idols like Michael Jackson with good ole gospel numbers. The energetic 'God is Good' is a Praise & Worship and Dance Ministry favorite, while the Detroit-bred singer channels the King of Pop on 'U.N.I.T.Y.' Haddon croons like the best R&B balladeers on tracks like 'What Love,' 'Won't Stop Praying' and 'God Didn't Give Up,' while taking a more traditional gospel approach to the churchified 'Prayer Changes Things' and 'Had Not Been,' which features one of his musical mentors, Rance Allen. Overall, 'Crossroads' embodies its album's title, an immaculate blend of both mainstream music and traditional gospel both merged together by Haddon's heavenly tenor.
Check out Jawn Murray's other Black Music Month's picks: